Leonardo Da Vinci and Pierre Renoir Comparative Essay

The two renowned ruseists da Vinci Da Vinci (1452-1519) and capital of South Dakota Auguste Renoir (1841-1919) argon both good role models for the progressing art society further when study these two gifted men it is plain that their artistic productions both relinquish a antithetic message to the viewers and atomic number 18 portrayed using opposite art techniques and equipment. Leonardo, born to be known as the archetype of a Renaissance man, was an Italian rougeer, inventor, mathematician, writer, and engineer.He was explicitly known for his realistic, geometrically designed and religiously inspired tonalityings. Renoir, however, was a French man who devoted his action to introduce the impressionist port to the art community. As a full-strength worshiper of natural beauty and feminine aura, Renoirs painting symbolized the accurate liveliness of French culture and European scenes. Leonardos style of painting was influenced bullyly during the formation of the Renaissa nce period that first emerged in Italy during the 14th to the 17th century.It was a new era in which European scholars craved for greater knowledge of medieval times and Italy was their primary rise for it contained the great art and architecture of Rome and held manuscripts that scholars studied to learn the lives of the wee Romans and Greek. Thus most themes of Leonardos paintings portray religious beliefs and mythology. Its art revolved in finished images comparable to reality and the colours conservative, wipe strokes concealed, leaving no trace of the artists emotions or techniques. Impressionism, however, contradictory the entire concept of Renaissance art.Initiated by French artist, Claude Monet during the late 1870s in France and soon followed by more(prenominal) painters one of which leading them is Pierre Auguste Renoir, conflicted the techniques of French art Schools and ignored their Euclidian perspectives and took advantage of the industrial revolution. The industr ial revolution brought the popularity of the camera, metal tubes were invented and so paint was achieved in a steady yet cheap way, people had more leisure time and places such(prenominal) as parks, malls, stores, circuses were easily established.Painters like Auguste Renoir had more subject matters and the opportunity to paint and observe the fleeting moment of light outside instead of relying on their memory and paint inside a studio. Most of Leonardos buyers are wealthy church organizations such as the Catholic church that value realism as they will use them as every for cathedral decorations or another image worthy for worshiping. During the Renaissance period, if a patron is willing to buy for an artwork, he or she controls the subject matter, the outcome date, the materials used and a set payment.Artists were also required to fork over preliminary exam plans to be approved by the patron before the actual artwork was particoloured. Renoir, however, had buyers that apprecia ted his colorful artworks for the purpose of house decorations or family portraits. Artists like Renoir had more liberty in exhibiting and selling their works. Artists like Renoir painted outdoors and so people had the chance to observe how they capture the scenery in bet of them thus, making it easier for them to be recognised. Renoir and Leonardo share different subject matters in their paintings yet they both possess the ability to dazzle the viewer.Leonardos inspiration revolved mostly in religion which he greatly portrays in St John the Baptist where St John wears pellets and animal skin epoch attribute loosely a reed staff with a cross at one end and uses his right hand to point up a feminine hand to heaven. On the other hand, Renoirs passion relied on his deep adoration for feminine sensuality which he greatly conveys in unclothed in Lanscape where a raven, shoulder length pilused, naked char sits on a rock covered with a long fair sheet that she also uses to wipe her left ankle.The womans shoetree trunk is facing sideways but her whole face is seen as she looks downwardly on the withering grasses. The scene is in a tiny lumber during a lazy Sunday afternoon. Upon thoroughly studying these two artworks it is evident that the two artists use different colour schemes and art techniques in mark to show the theme of their artwork. Leonardo portrays St Johns wavy, curled hairsbreadth in an intense reddish brown colour to imply shadows while a neutralized pinkish brown to show a come to of shininess.Leonardo also provides an empty, darkish background to achieve negative office in order to enhance his use of chiaroscuro on St Johns face and right arm. St Johns innocent, auburn eyes are darkened payable to the heavy amount of yellow light advance from the foreground. St Johns pale lips are curled enigmatically freehand the viewer the impression of whether he is pure good or evil. Renoir, on the other hand, uses a dark brown colour with short s trokes of a midnight blue colour instead of black to darken it.Renoir provides a spirited background by using a cool orange to show shadows from the overlapping grasses and warm yellow to show the effects of light on the tree trunks and the withering grasses. The neutralized green on the trees foliage recede. The womans personify is yellowish due to the amount of yellow light but her face is darkened. The highlights on her body are clean. He uses cool purple to show shadows on the white sheet and the shallowness of the lake while a warm red on her body especially on her chubby breasts, slender back and rosy cheeks to create a sense of form.It also makes the cool colours air with warm colours. The artists however both use communicative lines to implicate movement but have used them in different field of studys of their paintings. Leonardo uses gestural lines to show the liveliness of St Johns hair and contour lines to impeccably form St Johns realistic face, healthy right arm and while using the technique sfumato (which means applying perspicuous layers of colours) Leonardo was able to achieve a feeling of a one-third dimensional shape to the viewer finished with a smooth surface.In contrast to Renoir who uses short, thick, gestural lines to show the continuous movement of his brush strokes in the entire painting providing a simulated texture. He applies wet paint to wet paint without waiting for the successive applications to dry, producing softer edges and intermingling of complementary colours Leonardo and Renoir share equal importance for how counter ratiod light and dark are in their paintings. The intense dark background and the vibrancy of ellow light on St Johns face and arm provides a symmetrical balance and value contrast that can easily make St Johns face the emphasis and focal area. Conversely, Renoir uses the trees surrounded by deep shadows to balance the womans plump body in an asymmetrical balance of visual elements. Her face like St John also is the focal area in which the strongest light and dark value contrasts. St John the Baptist and Nude in Landscape are both oil paintings. But St John the Baptist was painted on walnut wood using tempera paints while Nude in Landscape was painted on canvas using the bonnie metal tube paints.St Johns pointing gesture towards the heavens shows the set down message of the painting that baptism which St John symbolizes is important in order for a humankind being to gain salvation. In Nude in Landscape, Renoir has the furbish up intention of conveying to the viewer his great love for portraying naked women and how he sees the fleeting changes of light on their tender flesh. Leonardos passion for portraying religious characters or biblical matters showed the world the great importance of religion and how it should never be forgotten.He portrays his figures in a realistic manner to show viewers his great understanding of the human anatomy and how science and its necessity f or thorough observation are associate to art. Renoir, however, paints not to share a message to the world but quite an show people the majestic effects of light in everything and to inspire people that art is not a competition for talent, observation and fame but rather a deep visual expression for ones perspectives and feelings in life.