Symbolism and Irony in Hawthornes Young Goodman Brown Essay -- Young

Symbolism and Irony in Young Goodman Brown Nathaniel Hawthornes Young Goodman Brown is the story of a unexampled man faced with the ingenuousness that evil is a part of human nature. The story illustrates how naivet can drive a person to lunacy. Young Goodman Brown, who symbolizes that Puritan every man, is shocked when he sees regard clergymen and women of his village at the devils communion. His disbelief that it is normal and acceptable to be intrinsically evil causes him to live a life of despair. In the story, symbolic representation and irony atomic number 18 cleverly implemented to show that no one is completely good or evil, and that the tension between these opposites is where power to progress onward is generated. There are more elements to the story than just the battle of good vs. evil. Sexuality also becomes an issue in the story. At the beginning of the story, Young Goodman Brown bids farewell to his young wife. The particular aspect of his life that she represents is illustrated by her name Faith. Faith ...thrusts her pretty head into the street, letting the wind play with the pink ribbons of her cap... (Hawthorne 272). Already the dynamic symbolism between nature and the home is set up. Nature, particularly the wind, forest, and darkness symbolizes sinfulness and evil. The home, specifically Faith and her pink ribbons, symbolizes the perceived safety and security of the Puritan corporation as asylum from the sin of the rest of the world. Goodman Brown begins his journey into the woods. He reprimands himself for leaving Faith on such an errand, but promises to cling to her skirts and follow her to paradise (Hawthorne 272) when he returns. This errand is never clarified, but it... ...986. 5 2737-40. Fogle, Richard, H. Hawthorns Fiction The Light and the Dark. Oklahoma. University of Oklahoma Press, 1964. Hawthorne, Nathaniel. Young Goodman Brown An Introduction to Reading and Writing. Ed. Alison Reeves. New Jersey Prentice Hall, 1995. Shear, Walter. cultural fate and social freedom in three American short stories. Studies in Short Fiction, fall 92, Vol. 29 Issue 4, p543, 7p. Swisher, Clarice., ed. Color and Images in The cerise Letter. Readings on Nathaniel Hawthorne. Greenhaven Press, Inc., 1996. VonFrank, Albert J. Pretty in Pink Young Goodman Brown and New-World. Critical Essay on Hawthorns Short Stories, Boston G.K. Hall & Co., 1991. Zanger, Jules. Young Goodman Brown and A White HeronCorrespondences And illuminations. Papers on Language & Literature. Summer90, Vol. 26 Issue 3, p346, 12p.